Albums I like : Big L – Lifestylez ov da poor & dangerous.
(Just to start this entry off, I am abandoning top tens because I feel like they are too generic and “been there, done that,” so instead I will just sporadically be writing entries to the blog on albums, films, TV series etc that I enjoy, whether they be old or new.)
I first heard this album whilst in University, and it was one of those albums I fell in love with from the first listen. Sometimes music can be a challenge, and you have to revisit albums or really try hard to like them or appreciate them. With this album, there was no such task, as the sound I found within this masterpiece was clearly something I had always been looking for.
When it comes to hip-hop, admittedly I am a bit of a late bloomer, and only really started listening to it en-masse during my second year in University. I had always been a fan of the big names such as Eminem, Tupac etc but had never ventured much beyond the obvious/mainstream hip-hop until college, and even then it was only every now and then.
This all changed when my flatmate, Luke, introduced me to Notorious B.I.G properly, and I suddenly realized one thing that was vital to my future as a hip-hop listener. East coast, is the best coast. There’s something about the atmosphere captured in east coast hip-hop that I love, despite me never having lived in America and having only visited New York for three days. And it was hardly a tour of the hood, it was a year 11 school trip with the history department. Represent motherfucker.
Upon discovering my preference for east coast, as solidified by Biggie, I went on to discover many other artists who are renowned as prominent rappers within the east coast hip-hop scene, and one day I stumbled upon the name Big L. Usually I scan a few you tube videos first to get a flavor, but for some reason, perhaps it was destiny (or more likely idleness) I just went ahead and downloaded the album. I’m not sure I have many vices, but one of them is certainly the illegal downloading of music, but if the worlds gonna’ offer me so much music for to listen to, it could at least make it cheaper. Or give me a better job.
What struck me first is just how dark this album can sound. The production is solid, and there are no qualms with that, but there’s something about the way the samples are recorded, or organized, which gives every song on the album a raw feeling, almost like it’s a live album but recorded in some sort of abandoned garage or warehouse. Big L’s sound can be described as something like “The sound of the wrong side of the tracks.” He is almost like a tour guide of the hood, succeeding as the sort of rapper who paints a real picture of life in the hood, and not a glamorized version of a similar story you might get with someone like 50 cent or similar.
If there’s one complaint I hear about hip-hop more than anything else it’s with the lyrics. Either that they are too controversial or there is no substance to them. Firstly, I don’t see what the problem with controversy is within music. The more you talk about the music, the better and this is the same with films, TV etc. Appreciation of music is purely subjective and so people arguing about how they feel the music represents contemporary issues or racial issues or any other issues, is a GOOD thing. It’s what it’s there to do. The problem I have with a lot of modern day hip-hop (at least the stuff you here on the radio, in the charts etc,) is that it doesn’t say anything. Or if it does, it says something very depressing about how hip-hop is changed and in which direction it’s going.
Big L though, is from a different time, and sadly died far too early. Although, just like with Biggie, we can at least be grateful that we never got to see L sell out. Lyrics is what L is all about, and his wordplay is some of the best in the game. Consistently banging out odd little metaphors, and multiple uses of the same word, L seems to make words fit where they ought not to, and all with a flow that still holds its own after 19 years. Sometimes, whether we like it or not, old hip-hop can instantly sound dated because of how much flow has diversified since hip hop’s inception in the 80’s. Big L stands as one of the kings of hip hop, whose flow is not only still appreciated, but is still a massive influence and inspiration to up and coming artists and big name artists in the game at the moment.
All in all then, Big L’s ‘Lifestylez ov da poor & dangerous,’ has everything you want in a hip-hop album.
Amazing wordplay – check.
Engaging narrative style lyrics – check.
Dark east-coast esque, jazz ridden beats – check.
Raw, aggressive, no holds barred attitude – check.
Big L – Check.
Standout Tracks – All Black, Da Graveyard, Street Struck.